Stunt (Action)

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Heroic Action Role-Play
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A stunt is a heroic maneuver that is not an attack.

Interaction Stunts

An Interaction Stunt is an action aimed at an opponent, seeking to gain an advantage or cause a setback against that opponent. You generally roll one of your skills and compare it to one of your opponent's skills. If you succeed, you gain a minor effect. There are two common types of interaction stunts; trying to bye time or gain an advantage. Most of the interaction stunts described in the skills, schticks, and powers of Action fall into one of these two categories, sometimes with special rules.

If the Outcome matches a relevant attribute value on your opponent, the opponent suffers a setback.

Buying Time

You seek to delay your opponent, reducing his actions by stealing shots. A successful stunt reduces the opponent's shot counter by three. If you gain a setback, the standard result is that you reduce the opponent's shot counter by the full Outcome, often stealing all his available shots, but other setback results are certainly possible at the GMs discretion.

Gaining Advantage

You seek an advantage, gaining a bonus to a later roll against the same opponent. Often you use this to accumulate successes, repeating the same stunt several times, the bonus from the last attempt giving you a better chance of scoring a setback each time you try. Other uses include setting up an opponent for a friend (giving the bonus away) or to exploit a weakness, setting yourself up to do a task you could not normally accomplish.

Setback

A common task for the GM in Action is to decide exactly what a setback should be. A really successful stunt results in a setback, and some powers and other effects can do so as well. Sometimes, the GM will throw a setback at the players just to liven things up. In all these cases, it is important to invent exiting setback conditions.

There are few hard and fast rules for setback; they vary very much depending on the situation and needs of the story. Use the terrain; a literal cliffhanger, quagmire, or getting lost makes a good setback. Or use the character's gear against them; guns run out of ammo, cars run out of gas, or magical curses jump from one target to another. Setbacks can be subplots; suddenly the hero realizes his enemy is his kindergarten friend or lost brother and needs to tread warily because of it. Or one side of the other gains sudden allies.

A setback defeats an unnamed character, but against a named character it has less dramatic effects. A setback trying to escape generally shakes an enemy off your tail, but otherwise the effect is more commonly a delay or a hazard that must be overcome in order to resume the fight. A GM can use setbacks to nudge the action in a desired direction.

This lists a few possible setbacks you can always fall back on: they are less interesting fallbacks you can use if you can't come up with something to fit the situation.

  • A Wound
  • A temporary penalty lasting for this encounter, either a -1 to all actions or a -3 to one skill.
  • One weapon, power, or important piece of gear fails for the rest of the encounter.
  • A supposed ally turns into a temporary antagonist.
  • Attack an ally by mistake, gaining some sort of surprise bonus (and possibly creating loyalty problems)
  • Isolated and out of the action for a round, or until you succeed on a decently hard stunt. This can be the typical pit trap.
  • Create a one-on-one scene for a round, where your allies cannot help you fight a particular enemy.